Haircuts
Blunt, angled, stacked or layered: read the bob shape
See what separates a blunt bob, an angled front, a stacked back and a layered bob. Bring a useful front, side and rear reference.
Upkeep: Graphic outlines and short napes make small changes easier to notice. Agree on the point at which the shape needs attention rather than accepting a universal trim interval.
Effort is a planning estimate. The specific option and your routine change the commitment.

The starting point
Blunt describes an edge, angled describes the change from back to front, and stacked describes shorter graduated layers building shape at the back. These features can overlap. Choose the perimeter and the back construction separately so your stylist knows which part of a bob photo you actually want.
Compare the visual directions
Concept references for shape and placement. Save the specific look you like and open its details. These are starting points for a consultation.
Compare your options
Blunt perimeter
The lower edge reads as a clear continuous line. It can preserve a solid-looking border, although the interior may still be adjusted. Choose this for the edge itself rather than assuming the whole cut has no layers.
Ask about: What internal work would you use while keeping the visible perimeter strong?
Angled or A-line outline
The front is longer than the back. A gentle angle keeps the transition subtle; a steep one makes the side profile more directional. The back can be solid or graduated.
Ask about: Show the difference between front and nape, and whether the front still tucks behind the ear.
Stacked or graduated back
Shorter lengths at the lower back build into longer hair above, creating a shaped rear profile. The visible roundness is a separate feature from the longer front.
Ask about: Where is the fullest point at the back, and how close is the nape cut?
Layered bob
Layers create internal movement and reduce an entirely solid silhouette. Placement matters: crown movement, lightened sides and textured ends are different outcomes.
Ask about: Which area loses weight and how will the edge look when I air-dry?
French-inspired bob
Usually a compact jaw-area shape paired with a fringe, but the name does not fix its exact length or construction. Compare the actual fringe, cheek exposure and ear-tucking room.
Ask about: Which of these visible features matters more than the label?
Bixie between bob and pixie
A shorter, more layered outline keeps softness around the ears while losing much of a bob perimeter. It provides a different grow-out route and may require more direction-setting in the morning.
Ask about: How much remains around the ear and crown, and how does the rear differ from this bob photo?
Above-jaw micro bob
A higher perimeter exposes more of the jaw and neck than a chin-level bob. The remaining front length may no longer tuck, and the ear area becomes a major part of the outline.
Ask about: Show the dry endpoint relative to my cheekbone and jaw, and whether the front can tuck.
Use three photographs for three decisions
A front view shows the fringe and how the cut sits beside the face. A profile reveals the angle and ear clearance. A rear view shows nape exposure, stacking and where the back is fullest. If you only have a front image, ask to agree on the unseen back before the service.
Try saying “the edge in this photo, the front length in that one, and a softer back than either.” Your stylist can then explain whether the combination works with your hair. A collage should open a discussion rather than become an impossible exact-copy instruction.
Place the line on your own landmarks
Use the cheek, jaw, neck and collarbone as the starting vocabulary. The same measured length looks different on different neck lengths, curl patterns and shoulder positions. Turn your head, look down and try tucking the front before approving a shortest boundary.
A high collar or scarf can push a bob outward. If the bottom falls directly on the shoulder, that bend may be part of the daily shape. Decide whether you enjoy it, will style it, or prefer a perimeter clear of that contact point.
Choose the normal finish before the cut
A polished straight reference displays edges and angles clearly. Waves break up that line; curls can make an angled shape appear rounder. Discuss what should remain visible in your everyday finish.
For finer-looking ends, ask how much material the proposed layers remove from the edge. For dense hair, locate the bulky area instead of asking for everything to be thinned. A precise question about the back or sides gives a more useful target.
Maintain the intention
After a few normal washes, inspect the front, side and back. If the front feels too long but the back still works, say that. If stacking has grown into an unwanted ledge, discuss how to soften or reshape that specific area.
To grow a stacked bob longer, the short back layers need time to catch up. Repeatedly restoring the original stack may work against that goal. Ask which sections should be left alone and which edge can be tidied while you transition.
Take this to your appointment
A starting point for your brief
I like the ___ perimeter and the ___ front-to-back angle. At the back I want ___ fullness and ___ nape exposure. My usual finish is ___. Please show how those separate choices fit together.
Use this in my briefAdapt the wording to your own hair, preferences and history.
Common questions
Are angled and stacked bobs the same?
No. An angled bob changes length from back to front. Stacking describes the graduated construction at the back. One cut may use both.
Does blunt mean no layers anywhere?
Not necessarily. The visible edge can remain blunt while some interior weight is adjusted. Discuss the actual construction and what the perimeter should look like.








